Bangkok-based theatre maker working across writing, directing, performing, and composing. Their work explores gender, spirituality, and technology in Thai and Asian contexts, often through surreal satire and text-based forms. A founding member of Anti-Thesis theatre
collective, Panmas has created well-known works such as Attama Dreamed of a Revolution (2020), Dilok Von Siam (2023), and the sci fi/comedy musical Women with a Time Machine (2024).

Their experience spans devised, text-based, and improvised theatre, featured in festivals such as Bangkok Theatre Festival, BIPAM, and Autumn Meteorite Tokyo. They are currently focused on expanding their practice into unfamiliar modes of creation and presentation, exploring rituals, installation art, culinary, and even non-human forms, and other media rooted in Thai cultural context. They are also developing a platform for former theatre students and practitioners to reconnect with performance-making amid limited structural
support.

Alongside their artistic work, Panmas is full-time curator and producer at People of Ari, a performance and event space within a multi-purpose building. They manage space rentals, facilitate events, and curate programming including exhibitions, concerts, theatre productions, workshops, and other multidisciplinary projects, gaining insight into audience engagement and the practical aspects of sustaining creative spaces.